“Yaralla”
(Correcting live “Holterman” / “Lavendar” / “Lavander”)
Boom-era Italianate mansion with viewing tower · Completed 1874–75 for Bernhardt Otto Holtermann · Demolished / encased mid-1930s within Sydney Church of England Grammar School (Shore)
Gold paid for the tower; the tower paid for the panorama. Holtermann’s Italianate pile above Lavender Bay was less a quiet villa than a camera platform — Charles Bayliss’s wet-plate harbour views from twenty-seven metres up still define colonial Sydney for many scrapbook readers. Shore School swallowed the site; the 1930s brick encasement finished what time had started. Spell the man’s name with two n’s.
North Sydney / St Leonards heights overlooking Lavender Bay and the harbour — Cammeraygal Country. Holtermann first occupied sprawling St Leonards Lodge at Crows Nest, then built The Towers on the ridge. Neighbouring Graythwaite (Dibbs) frames the later sale story. The tower’s purpose was photography as much as display: views north-east and north-west as well as the famous harbour sweep (At Home).
Italianate mansion typical of mining-magnate display: central tower with Corinthian-suggestion pilasters, verandah cast iron, decorative masonry (At Home). Interiors sparsely described in consulted sources — contemporary papers called it fit for a nobleman (Singleton Argus 27 Oct 1875, cited At Home). Stained-glass self-portrait with the specimen is the signature interior anecdote (ADB). Prefer SLNSW exterior/panorama plates over inventing room schedules.
Bernhardt Otto Holtermann — German-born miner-made-good; Hill End partner of Beyers; MLA; immigrant-publicist via photography. Charles Bayliss (and earlier Beaufoy Merlin) — the cameras behind the Holtermann Collection. Thomas Dibbs — Graythwaite neighbour; intermediary owner. Shore School — long custodian of the site after the mansion’s erasure.
1. Keep live historic mansion/tower photograph.
2. SLNSW: The Towers shortly after completion 1875 (drive unfinished) — At Home hero image.
3. Bayliss panorama sections from the tower (Lavender Bay / Milsons Point).
4. Holtermann with specimen / stained-glass tradition illustrations.
5. Modern Shore campus view of the site (what replaced it) — label clearly as successor fabric.
The Towers does not stand as a readable mansion. The Shore School campus occupies the Lavender Bay ridge site; mid-1930s brick encasement destroyed the Italianate house and tower. Remember the place through the Holtermann Collection at the State Library of NSW and through surviving panorama plates — not through a house museum.
Images retained from the live Blogger post:
Castellated marine villa · Core mid-19th century; towers added c.1874–76 · Demolished mid-1920s (sources 1923 / 1926) — Clovelly Hotel later on part of the estate
Before Clovelly had a tram, a hotel, or even its modern name, the western head of the bay was dominated by a castellated pile called Mundarrah Towers. The live blog post is almost pure photograph — keep every image; this scrapbook puts a researched spine under them without inventing an architect or a single demolition day.
Gadigal / Bidjigal coastal Country — fishing and camping country later called Little Coogee, then Clovelly (name change associated with 1913 progress-association campaign; Wikipedia / Randwick). In 1834 William Charles Greville paid £40 for 20 acres on the beachfront; Greville Street remembers him (Randwick ourstory).
Through the nineteenth century the head of the bay was dominated by one grand estate. Mundarrah Towers sat on the slopes overlooking the western end of the bay around today’s Burnie Street. Neighbouring Gordon’s Bay held Cliffbrook (Thompson; later Commonwealth Bank governor; substantially demolished 1976) — another lost coastal mansion in the same Randwick story (Randwick Council).
Period photographs show a multi-towered, castellated marine villa — stone or rendered walls, steep roofs, and the “towers” that gave the place its later name after Bennett’s 1870s works absorbed the earlier Dickson/Campbell house (Randwick: Bennett “absorbing Dixon’s original house”). No consulted source names an architect for the tower phase — leave blank rather than guess. Interiors are poorly documented in the public web sources used here; prefer captioned album views over invented room schedules.
Samuel Bennett — newspaper proprietor linked to The Australian Town and Country Journal and the Evening News circle; bought Little Coogee ground as a quiet retirement seat six miles from the CBD (Bennett research / Randwick). Eliza Bennett ran the house after Samuel’s 1878 death until 1886. Later Bennett-family tenure (Alfred; trust; forced sale) and early twentieth-century subdivision turned one marine villa into the street grid Clovelly knows.
Randwick Council’s suburban history still treats Mundarrah Towers and Cliffbrook as the “hidden heritage” of the northern coastal suburbs — grand houses erased for hotel, flats, and tram-era streets.
Do not invent historic photo URLs — keep existing live-post images; captions and sequence guidance below for the merge pass.
Live post is image-led — keep, sequence, and caption; do not invent URLs.
1. Exterior / towers from the bay or Burnie Street approach (live post)
2. Garden / estate slopes toward Little Coogee
3. Alexander Sutherland view of Little Coogee c.1870–80> (State Library Victoria — Bennett site credit)
4. Subdivision / Clovelly Hotel era contrast
5. Mundarrah Street nameplate / modern bay — memory without the house
Nothing of the mansion. Clovelly Hotel (from 1925), Mundarrah Street, Burnie Street suburban fabric, and the bay itself. Pair with Randwick’s Cliffbrook story and other Eastern Beaches demolitions on this blog. Respect private property; photograph from public streets and the bay foreshore only.
Images retained from the live Blogger post:
Built mid-19th century (see date note) · Demolished 1927 · Site became the first stage of Fitzroy Gardens (landscaped 1939)
Osterley was the Macleay Street house whose clearance opened the first slice of today’s Fitzroy Gardens. Demolished in 1927, interim-used for miniature golf and tennis, it was resumed and landscaped in 1939 — originally to be named for Alderman Ernest Tresidder before politics delivered the Fitzroy name. The Paradise Theatre planned for this ground was never built.
Part of Alexander Macleay’s 1841 Elizabeth Bay Estate subdivision — the same high Macleay Street band that held Maramanah and Tenilba. Osterley’s demolition created the first public open-space bite; Maramanah (1943 purchase, 1954 demolition) and Tenilba enlarged it.
Rate valuations cited in the heritage assessment describe neighbouring Greenhill/Broadhurst-band Macleay Street houses of the 1860s–70s as brick, three floors, about eight rooms — useful context, not a measured description of Osterley’s final form. The March 1927 photograph (CoS Archives) is the demolition-eve elevation to seek and caption.
Edward Broadhurst (ADB) Cambridge rebel who forfeited his degree rather than make a religious declaration; colonial barrister of large practice; duel controversy with Robert Lowe (1844–45); Legislative Council; never a judge despite being talked of as “father of the Bar. Osterley/Macleay Street was the domestic frame for that career.
Sir Adrian Knox — High Court Chief Justice; keen gardener; last private name attached to the house in the 1927 photo caption tradition.
David N. Martin / Minerva Centre — bought for a theatre dream (Paradise) that became a park instead — one of the Cross’s better near-misses.
Do not invent historic photo URLs — keep existing live-post images; captions and sequence guidance below for the merge pass.
1. Keep / replace the single live-post image with a properly credited Osterley view if the present file lacks caption.
2. City of Sydney Archives image 1544 — Osterley, March 1927, pre-demolition.
3. ADB / library portraits of Edward Broadhurst.
4. Fitzroy Gardens formation plans and 1939 landscaping.
5. Compare: Maramanah and Tenilba — the three-house park story.
6. Minerva Theatre, Orwell Street — the theatre that was built when Paradise was not.
Osterley is gone. Its ground is the original cell of Fitzroy Gardens at 60–64 Macleay Street. Stand by the El Alamein Fountain and read the park as demolished houses.
Images retained from the live Blogger post:
Built c.1872–1873 · Architect not attributed here · Standing (RNE-listed former rectory)
On the triangle lot where Forbes Street meets Clapton Place — polychrome brick, steep patterned slate, cast-iron balcony, metal digits 188 on the sawtooth brick band — stands the house the Register of the National Estate recorded as St Peters Rectory (former). It was raised for the Anglican parish of St Peter’s (church by O. H. Lewis, 1866–67; hall by Benjamin Backhouse, 1873) and later returned to private residential use. Welcome to 188 Forbes Street — the rectory, not Barham inside SCEGGS, not the sandstone church/hall group at Bourke / St Peters Street, not Rose Hall under Horizon.
Forbes Street here is the lower Darlinghurst ridge edge toward the old St Peter’s parish — Barham and SCEGGS upslope, Clapton Place / Farrell Avenue toward the Rosebank and Rose Hall flat precinct, Bourke Street carrying the sandstone church that is now SCEGGS Great Hall. The rectory’s triangle lot and Clapton Place corner give it a freestanding silhouette rare among the terrace walls.
Live-post photographs (nine images) are mostly close fabric: Tudor-rose sandstone stops, cream-and-red arched window surrounds, sawtooth brick channel, balcony soffit, and the metal 188 — enough to lock the address to the polychrome Gothic villa the RNE described. Keep captions; do not invent a different mansion behind the number.
The RNE sheet is the architectural spine: three-storey brick residence with attic; patterned walls and patterned slate roof; facade enlivened by a delicate cast-iron cantilevered balcony at first-floor level; very steep gable roof with elaborate patterned brick chimneys; 1947 garage at the southern end. Significance text calls it a fascinating example of polychromatic patterned brickwork in a quaint Victorian villa, Gothic style suited to rectory use, contributing to the lower Forbes Street / Clapton Place streetscape.
Live images match that reading — cream/red voussoirs, floral sandstone label stops, sawtooth recessed brick, balcony timber soffit. Do not invent interior inventories or an architect name for the rectory.
This house’s identity is parochial before personal: built as the dwelling for St Peter’s clergy while the sandstone church and Forbes Street hall served the congregation. Parish associations recorded for the church precinct (Charles Kemp, Henry Connell, Lebbeus Hordern, Patrick White among later church-linked names) belong to the worship story — cite them as precinct colour, not as proven rectory residents, unless a directory entry is in hand.
Edward Deas Thomson’s Barham grant is the deeper land layer; SCEGGS’s later ownership of the church/hall is a neighbour story. The rectory’s twentieth-century private chapters (including the 1947 garage and recent architectural upgrade) explain why the polychrome villa still faces Forbes Street when so much parish housing was cleared for the 1924 forecourt.
Do not invent historic photo URLs — keep existing live-post images; captions and sequence guidance below for the merge pass.
Preserve all nine live images (detail-heavy). Suggested caption order:
1–2. Sandstone floral / Tudor-rose label stops — Gothic stop on polychrome brick.
3–4. Arched window with cream/red voussoirs and balcony soffit — Cast-iron balcony above; RNE facade reading.
5. Metal street number 188 on sawtooth brick band — Address locked to the rectory villa.
6–9. Further brick / iron / roof details from live set — keep any existing captions; add credit if City Archives / agent photos are mixed in.
Also search: AHDB photo database for place 1985; City of Sydney Archives Demolition Books only if wrongly filed — this house stands.
The former rectory stands at 188 Forbes Street as a private house. Walk the Clapton Place corner for the gables and balcony; continue to SCEGGS Great Hall (former St Peter’s Church) and Playhouse (former hall) for the parish set; glance to Barham inside the school grounds and to Horizon for Rose Hall’s vacant sky.
Images retained from the live Blogger post:
Salvation Army Hostel - South Dowling Street - Surry Hills
The Iconic Salvation Army Hostel, On South Dowling Street, At Moore Park.
This Picture Was Taken In 1927
Originally the great Valley Of Darlinghurst was originally subdivided by Governor Ralph Darling in the mid 1820s when he created 17 allotments of land parcels to house public servants and other private citizens.
With the 17 land grants that Governor Darling allowed he had strict conditions regarding that there could only be one dwelling per allotment, that each each dwelling should be built facing the city along the ridge, and that the land should have landscaped gardens around.
This changed the whole topography of the area when you sailed into Sydney harbour and Port Jackson made a great difference from what people could see. It also gave a very strong impression of the colony and the prosperity that you could gain as a free settlers coming to Australia.
it was a very strong a pointer of what you could gain by coming to Australia it was also very strong reminder of what you could also lose
Castle Cove Was Named After This Landmark Building. It Occupies 8,333sqm Of Lush Park Like Grounds.
Completed in 1904 By A Prominant Politician, Henry Hastings Willis, & Is A Magnificent example Of Perpendicular Gothic Architecture.
The Castle Showcases Lavish Sandstone And Takes The Name “Innisfallen Castle” (Or “Island Of The Field”) From An Irish Castle In Killarney.
There Are Currently 2 Existing Buildings
- The Castle Itself
- Guest Wing / Domestic Staff Living Quarters
“Lauriston” Bowden Street & Victoria Road - Ryde - New South Wales
“Lauriston” was built in the 1880’s by James Johnson And Phillipina Shuttleworth and was located on the corner of Bowden Street And Victoria Road, Ryde.
James, an Architect, wa related to Albert Bind, the Archistect Of. Choice for Anthony Horderns.
The interior was ornately decorated and it had a ballroom reputed to be, the most beautiful around Sydney.
James turned the grounds into a bird samctuary. I’m 1916 the property was subdivided and “Lauriston” was sold to Alfred and Jene Gorrie. Their Daughter aired, a Danci no
“Cleves” - Putney - New South Wales
“Cleves” was built In the 1850’s by Charles Blaxland and his wife Elizabeth. It was located in the wedge between Charles Street & Waterview Street, Putney. A house by the same name built by John Bayley had existed on the site previously.
In 1917 the estate was sold to the Inter Colonial Biilding Company and the area around the house became the site of the Kidman and Mayoh Shipbuilding Enterprise, the house being occupied by the new manager. The house was demolished in 1926. The site is currently occupied by housing
Built c.1860–1865 · Architect not attributed here · Standing (SHR #00187)
On the Darley Street ridge — opposite Iona, overlooking the old Woolloomooloo Heights villa belt — a two-storey Victorian Regency house with an arched colonnade and cast-iron palisade still carries its stone nameplate: STONELEIGH. Heritage NSW and the Sydney LEP place it at 1 / 1A Darley Street, built around 1860–1865, one of the mid-Victorian villas that survived the flat boom. Welcome to Stoneleigh — not Iona across the road; not a demolished Heights grant villa.
Darley Street sits on the Darlinghurst ridge south of William Street — the same Heights country that once held Craigend, Rosebank, Rose Hall and Barham. Stoneleigh occupies a compact freestanding lot facing Darley Street, with the colonnade and palisade reading as a mid-Victorian villa front rather than a terrace row. Directly opposite stands Iona (2 Darley Street, SHR #00176) — keep the two posts separate.
The live scrapbook on this blog is a single stone nameplate photograph: STONELEIGH cut into ashlar. That plaque, the Heritage NSW pin at 1 Darley Street, and the LEP listing of fence and grounds are the identity spine. Do not confuse this house with demolished southern-ridge villas (Rosebank, Rose Hall, Craigend) or with Barham inside the SCEGGS Forbes Street campus.
Forget inventing a cedar inventory. Prefer the statutory description.
Heritage NSW / LEP: a freestanding two-storey Victorian Regency villa of stone and rendered brick; hipped corrugated-steel roof; first floor with a bank of 12-paned timber double-hung windows; ground floor arched colonnade on octagonal masonry columns with moulded caps, continuing along one side; articulated quoins; Victorian cast-iron palisade fence. The Register of the National Estate note (via Heritage NSW) adds six-pane sashes, decorated upper lintels, three-centred arches lined as ashlar, and balanced chimneys. Listing includes interior, front fence and grounds (LEP 2012).
No architect is named on the SHR / LEP sheets used for this draft. Do not credit Verge, Hallen, Blacket or anyone else without a primary attribution.
William Barker is the first-build candidate in the LEP / Tingle tradition — solicitor, East Sydney candidate who lost to Henry Parkes, partner in Norton, Son and Barker — but the Cornish estate sale of 1866–67 means the earliest occupancy ladder is not a single clean line. Leave both trails visible.
Richard Jones (1870–1892) anchors the banking-and-press chapter: Maitland Mercury founder and Commercial Banking Company of Sydney chairman in the heritage significance statement; he died inside Stoneleigh in August 1892. Sir J. Russell French then brought Bank of New South Wales general-management society life to the house into the early 1900s. The Marist Brothers decades explain why so many Heights villas vanished while this one stayed — institutional reuse, then private rescue after 1968.
Keep Phillip Adams (and later film-location anecdotes) as late modern colour only; they are not the colonial identity of the house.
Do not invent historic photo URLs — keep existing live-post images; captions and sequence guidance below for the merge pass.
1. Live-post stone nameplate — STONELEIGH
Already on the scrapbook post. Caption idea: Name still on the wall — 1 Darley Street.
2. Heritage NSW / LEP facade — colonnade and palisade
Search: Heritage NSW item 5045586 thumbnails; City of Sydney imagery. Caption idea: Arched colonnade, octagonal columns, cast-iron fence.
3. John Rae view from Hilton, c.1879–82
Search: SLNSW (Heritage NSW cited ADLIB record for Rae / Hilton / Darlinghurst). Caption idea: Shingle roof and rear lean-tos — neighbour’s camera.
4. 1981 / 1985 fabric photographs (Tingle / Heritage NSW notes)
Search: My Darling Darlinghurst Stoneleigh posts; Heritage NSW history. Caption idea: School-storehouse years to painted private house.
5. Compare set: Iona opposite; Barham (SCEGGS); Rosebank / Rose Hall sites; Craigend
Search: existing blog posts. Caption idea: Same ridge — different fates.
Stoneleigh stands. Walk Darley Street and read the nameplate; the colonnade and palisade still mark a mid-Victorian villa lot opposite Iona. It is a private residence — no public museum hours. Pair the visit with Iona’s gates across the street, Barham inside SCEGGS on Forbes Street, and the street-name ghosts of Rosebank and Rose Hall.
Images retained from the live Blogger post:
Built c.1888 (present house) · Architect not attributed here · Standing (SHR #00176)
At the end of Darley Street — wrought-iron gates, sandstone fence, Moreton Bay fig toward Tewkesbury Avenue — pastoralist Edward Chisholm replaced an earlier timber Iona Cottage with a late Victorian Italianate mansion that kept the name. Private hospital decades (Wootton / Winchester / Hughlings) saved it from the flat boom; National Trust and State Heritage listings locked the fabric; later chapters include Sir Allen Taylor’s household rename to Wootton, then filmmakers Baz Luhrmann and Catherine Martin. Welcome to Iona — not Stoneleigh across the road; not a demolished Heights grant villa.
Iona sits at the southern end of its irregular lot, principal northern elevation toward Tewkesbury Avenue, entry gates from Darley Street. Heritage NSW describes a high sandstone fence, cast-iron palisade gates, grassed front yard with mature trees, circular driveway, and a grotto-style garden feature — remnant garden after hospital wings and nurses’ quarters came and went. Across Darley Street stands Stoneleigh (1 / 1A) — same ridge, different house, different SHR number. Keep the blog posts separate.
The land story begins with William Long’s August 1835 grant of just over five acres; James Wright’s 1836 lease; Elizabeth Grose’s 1845 purchase of the fashionable Heights parcel that later carried the cottage name Iona. Chisholm’s 1888 rebuild is the mansion in the photographs — not the shingled cottage Robert Carter enlarged in the 1870s.
Prefer Heritage NSW and the Register of the National Estate summary over invented room schedules.
The present house is a freestanding two-storey late Victorian Italianate villa of rendered brick with slate roof and two-storey verandah / balcony. The RNE description highlights elaborate cast-iron verandah and balcony work, original cedar joinery including a large staircase, and a fine stained-glass landing window depicting Australian flora and wildlife. Heritage NSW stresses highly ornate cornices as a rare high-quality detail and notes that much joinery was reconstructed after institutional use. Hospital wings, enclosed verandahs and nurses’ quarters were later stripped or demolished in the 1980s restoration.
No architect is named on the SHR sheet used here. Do not invent one.
Edward Chisholm is the builder of the mansion you photograph — wealthy merchant-pastoralist who kept the cottage’s name on a larger house. The Taylor chapter (1908–1912) links the house to Sir Allen Taylor’s timber fortune and mayoral years — the same Taylor who gives his name to Taylor Square — under the temporary house name Wootton.
The long hospital run (1912–1977) is why Iona survived when so many Darlinghurst mansions were cleared for flats between the wars. Matrons, nurses as freeholders, operating theatres and Board of Health door widths are part of the fabric story, not a digression. The 1970s tower threat and National Trust / Heritage Council rescue close the institutional loop; Rutherford’s restoration put the dwelling name back on the gate.
Late ownership colour (Luhrmann / Martin design restoration, later sales) belongs in the modern chapter — useful, but secondary to Chisholm, Taylor and the hospital spine.
Do not invent historic photo URLs — keep existing live-post images; captions and sequence guidance below for the merge pass.
Live post already holds four images (gates / No. 2 pillar / ornate iron gates with crests). Preserve those captions and sequence.
1. Darley Street cast-iron gates / No. 2 pillar (live)
Caption idea: 2 Darley Street — Iona, not Stoneleigh.
2. Ornate double gates with central crests (live)
Caption idea: Victorian ironwork still the public face.
3. Heritage NSW / RNE facade and verandah
Search: Heritage NSW 5045573; AHDB place 1979. Caption idea: Italianate verandah — hospital years hid, restoration revealed.
4. Stained-glass landing window (Australian flora / wildlife)
Search: RNE description; Open House / Domain features. Caption idea: Cedar stair and native glass — interior claim from the RNE sheet.
5. Compare: Stoneleigh opposite; Barham; Rosebank site; hospital-era plans if found
Caption idea: Same street, different SHR numbers.
Iona stands as a private residence. The Darley Street gates, sandstone wall and Tewkesbury Avenue fig still mark the lot. No public museum — Open House–style access has occurred by arrangement in some years, but do not assume open doors. Pair with Stoneleigh opposite, Barham at SCEGGS, and the Rosebank / Rose Hall street ghosts west toward Farrell Avenue and Horizon.
Images retained from the live Blogger post: